List of Works
| THREE IMPRESSIONS (2021) of Matan Ben Cnaan's The Bureaucrat for violin, cello and electronics violin, cello, live electronics (Max MSP) | 10 min. |
Recording: Recorded at The Israel Museum, Jerusalem, on July 14th, 2021. Commission: Commissioned by Matan Ben Cnaan | |
| Ulysses (2010) for Symphony Orchestra 3.2.2.2./4.2.3.1/timp.perc/hp/strings | 11 min. |
Recording: The Mannes Orchestra, David Hayes, Conductor December 16, 2010, Mannes Concert Hall | |
| Dances in Freyghish (2022) A Klezmer Suite for Symphony Orchestra 3.2.2.2/4.3.3.1/timp.perc/hp/strings | 12 minutes min. |
Commission: Commissioned by The Orchestra of the Southern Finger Lakes | |
| THE FOUR SEASONS OF ISOLATION (2022) A Concerto for One | 43 min. |
| WINDY CITY (2006) for saxophone quartet SATB | 07:00 min. |
Wonki Lee, Soprano Sax; Ana Garcia, Alto Sax; Tyler Adel, Tenor Sax; Jamer Myles, Baritone Sax | |
| BIRDS OF DAWN (2007) for Pre-Recorded Electronics, Two Channels | 4" min. |
| ACCIDENTAL MUSIC (2009) for flute, clarinet, violin, double bass, and horn/bassoon/bass trombone | |
| SONATA (2009) for violin and piano | 25:00 min. |
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| SHARDS OF GLARE (2010) for soprano, flute, clarinet, violin, cello, and piano | 10 min. |
Commission: Written for The Mannes Festival | |
| KINAH (2011) for flute, clarinet, violin, cello, and piano | 10:00 min. |
Recording: Recorded on Pierrot Ensemble Series: Vol. 2 (CD Recording; Ablaze Records; Catalogue #AR-00041) | |
| KA (2012) for Viola, Percussion and Piano | |
| I DON’T MIND (2013) for bass-baritone and piano | 04:00 min. |
Justin Austin, bass-baritone; Yoon Lee, piano Commission: Composers and the Voice | |
| A CLEAR MIDNIGHT (2013) On the Poem by Walt Whitman | 03:00 min. |
Commission: Composers and the Voice | |
| GLUTTONY’S ARIA (2013) for for soprano and piano | 03:00 min. |
Commission: Composers and the Voice | |
| ECHOES (2013) for Violin and pre-recorded electronics | 3.35" min. |
Avner Finberg, violin | |
| THE SECRET LIVES OF PE(ST)S (2013) Four Comic Songs about our Small Companions at Home | 11 min. |
| CONCERTO (2013) for saxophone and chamber orchestra 2.2.0.2/2.0.0.0/strings | 20 min. |
| FOSSILIZATION (2013) for Symphony Orchestra with Saxophone Quartet 2.2.2.2/4.2.3.1/1.3/pno.hp.celesta/strings | 8 min. |
| POLYRHYTHMUS (2013) Percussion Quartet No. 1 see percussion key in score for details | 10 min. |
| DIXIE (2013) For Brass Quintet | 12 min. |
| TOCATTA (2013) for solo violin | 04:00 min. |
| FANTASY (2013) for solo horn | 04:00 min. |
| THE JABBERWOCKY (2014/2020) for coloratura soprano and piano or ensemble fl, ob, tromb, perc, vln, cl, db | 05:14 min. |
Recording: Composers and the Voice workshop in South Oxford Space, Brooklyn Soprano: Deborah Lifton Piano: Mila Henry | |
| A TASTE OF DAMNATION (2014–2015) An Opera in Three Scenes fl, cl, perc, pno, vln I, II, vla, vc, db | 50 - 60 minutes min. |
| HASHKIVENU (2014) for choir, cantor, and piano/organ | 5 min. |
| PATIENCE / IMPATIENCE (2014) for violin and electronics | 10:00 min. |
Avner Finberg, Violin Commission: Commissioned by Columbia Ballet Collaborative and ACB Dance | |
| LETTERS TO ENGELS (2015) Three Scenes based on the Letters of Karl Marx to Friedrich Engels | 7 min. |
Commission: Commissioned by Untitled Theater Company #61 for Moneylab | |
| MAQAMAT المقامات (2015) for solo cello | 06:30 min. |
Micha Haran, Cello | |
| ESCAPE VELOCITY (2016) for Large Ensemble 1.0.1.0/1.1.1.0/pno/strings | 05:00 min. |
Dedication: in memoriam Pierre Boulez | |
| OFAN (2016) for SSAATTBB Choir a cappella | 7 min. |
| KNOCK ON WOOD (2017) Percussion Quartet No. 2 see percussion key in score for details | 7 minutes min. |
Dedication: Written for CISUM Percussion Quartet | |
| ASCENSIONS (2017) for Violin and Live Electronics | 5 minutes min. |
Dedication: to the memory of Janah Poplov | |
| THE RAVEN (2017) Music for a Reading of Edgar Allan Poe's "The Raven" | 11 minutes min. |
Recorded at REP Studios, Ithaca, NY. Recording: Extracts from the Full Recording. Full recording will be available for purchase in October 2018. Avner Finberg, violin and live electronics Craig MacDonald, Narrator | |
| I HEARD A FUNERAL IN MY BRAIN (2018) Work for Soprano and Ensemble on the Poem by Emily Dickinson Soprano Voice, Oboe, Vibraphone, Violin and Double-Bass | 5 minutes min. |
| THE MIRACLE OF HANUKKAH (2018) A Hanukkah Celebration 3.3.2.2/4.3.3.1/timp.perc(3)/hp/strings | 6 minutes min. |
Commission: The Orchestra of the Southern Finger Lakes | |
| THE THIN SOUND OF SILENCE (2018) for Violin, Midi Keyboard and Live Electronics Violin, Computer, Midi player, Max operator or pedal unit | 5 minutes min. |
| PUGAW-EARTHWORLD (2018) Music for Symphony Orchestra Inspired by The Banaue Rice Terraces 3.2.2.2/4.3.3.1/timp.perc(3)/pno/strings | 14 min. |
Dedication: Written for the 2018 Banaue International Music Composition Competition Recording: Recorded at the Final of The Banaue International Music Composition Competition at the Cultural Center of the Philippines on July 25, 2018. | |
| SPHERE [4] (2019) for Violin with live and pre-recorded electronics | 8" min. |
Dedication: for Rachael Recording: Live recording from the Ithaca New Music Collective’s composer showcase in Argo’s Warehouse, May 6 2019. Avner Finberg, violin | |
| SONGS OF A WAYFARER IN AMERICA (2019) An Evening-Length Song Cycle on the Poems of Langston Hughes | 25 minutes min. |
Commission: Commissioned by Roland Burks, Bass-Baritone | |
| THE EXAGOGE (2020) An Opera-Theater Event on a script by Edward Einhorn string quartet, percussion, piano | 90 minutes min. |
Commission: Commissioned by Untitled Theater Company #61 | |
